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artwork

Studies and experiments

Color atmospheres and environments and glazing with pencils. Mixed media.

For the most part, these are two different watercolor palettes with two different colored pencil palettes.

THINGS I FOUND OUT:

You’d think this would be common knowledge, but it isn’t. I guess we all have to learn by experiences. I love experiences.

So, the grittier the watercolor, the more likely it would color on gritty. Gum Arabic already dries on very, very tight and has texture when I touch it, but the granules on some are fascinating. I have a watercolor on here that I forgot what it’s called, but I think it’s by Prodigal Sons, one of my favorite handmade watercolor brands. It’s Han Blue (maybe?) and when I color on top with colored pencils, it feels like using sandpaper and I love it sooo much because I wasn’t expecting it.

As well, some other colors have that same scratchy feeling.

Some colors are fine, but still produce a texture so there’s a ring around them and a change of reflection and light that comes off of them. Absolutely stunning.

Now, colored pencils have a similar feel to transparent watercolors so they layer and show the white of the paper or show whatever’s underneath it. Prismacolor isn’t as transparent as Crayola (I used crayola on here) and Faber-Castell Polychromos. Faber-Castell has some opaque colors, but typically they are transparent.

Things I like:

The backwashes! Those look stunning. I avoided coloring over them. Everytime I get them on something like this, I get so happy because they never look the same…however, when on a design I don’t want them at, I get so sensitive and irritable. They’re accidental here because they’re swatches but are beautiful.

I like how different the color pencils look when backgrounds change.

What I don’t like:

The paper. This is a study and not a major art piece, but dang…I liked painting on it, but coloring ACTUALLY SUCKS. It’s no texture so it’s slippery and hard to go light and dark. Also, with experience with this paper, I know it cannot take thick layers of acrylic without screaming uncle and crying. It’s only going to take so much. This paper is not useful for everyone, but it can take light water mediums alright. I enjoy it.

I also just don’t like how I left a space of white for some but then got jacked because I didn’t really think of it that hard. I also wish I left less white around so I can do Josef Albers’ levels of comparison. His studies however were more scientific, mine are just done so I could practice and avoid drawing and coloring characters. 😓

Anyway, thank you for talking to me. Have a great day and make sure to stay healthy and hydrated.

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artwork Crafting paints

COLORS AND COLORS AND COLORS

Using a more vibrant and warm color palette to design Adis clothes

So, hello there! I got too nervous to draw backgrounds or redesign, so I did some color swatches and this bad boy. I designed some clothes.

And I’m going to post my palettes again so you can see how they look. 😀

I forgot to show all my little studies I did for color environment and I’m posting on my phone in a environment that doesn’t have my art around.

Anyway, I’ve been doing little sketches and paintings as well and have been struggling.

So, I was a bit productive…but eh…but not really.

Have a nice day and stay hydrated and healthy! Talk to you later.☺️

Categories
artwork stories?

I’m going to gush

My homework assignment in the baby stages. It looks goofy.

Anyway, I could lament about how this painting looks failed right now…but why?!☺️ I rather gush about mixed media.

I’ve never been much of a traditionalist when it comes to art, so particular notions mean nothing to me. People could guilt me for hours and I’ll feel bad, but I’d never change. Colored pencil and acrylic paint have improved my paintings and allowed me to do what I wanted to. Don’t get me wrong, I still love love love my watercolors, but other tools prevent me from giving up.

Colored pencils

So, I love colored pencils so much because they are still somewhat very transparent, but still have the ability to layer over things in a way that makes the painting look interesting. So, I can show you two paintings that were fixed by colored pencils.

Two friends hanging out and done with a fugitive palette. I still haven’t finished this dumb sketchbook.🫠🙄

The thing about watercolors is that sometimes it’s very difficult to layer and get soft edges when you’re a beginner and using cheap paper, so left chick was looking dull with a bunch blossoms on her face making it hard to see her details. She’s quite dark skinned so capturing light without making her greasy was a struggle! Something something lighting something ambient occlusion. It is a study on how to draw people in environments. Still suck at backgrounds though.

Here’s more expensive paper and test drawings. Observe how the painting is eh but there’s less lines. I hate this paper because it’s too flat and offers no granulation (what I like)
so a mí no me gusta el papel.🤷🏾

How my paintings (watercolor) look raw

Just colored pencil

Acrylic Gouache, Watered down gouache, and the happs.

Miscellaneous grouping

About that one character. If any of y’all had the experience of being with Evangelist groups as a child, knows how intense they can get and how they emotionally corner you sometimes to donate and/or do things that you may not want to do. This is also like Catholic Baroque art to people living in that time. It is intense. So intense, you might as well say you’re not thinking straight. Fascinating stuff. If anyone has some non-Evangelicalist experiences, do share. I’d love to know.

It was nice talking to you. I hope you stay healthy and hydrated. ☺️

Categories
artwork

In all seriousness

Okay, y’all. So, basically, I’m forcing myself out of my funk. As you know from my last blog post written in pure rage. 😬😓 (give me a break, I was reading about stuff to improve my art. Improvement has always been the soul crusher in my life)

I absolutely refuse to write long posts and pages about my concultures. I believe I’d rather like to split them up. It is tedious to write about every single character in a long post only for that post to never be looked at again even if I write about said characters. I have no idea if links work for people! So, I rather just split them up into informationals.

I am trying my hardest to communicate with you all the best way I can, but communication has never been my strong suit. Honesty is great too, but I’m trying to give relevant honesty and not honesty that gets on people’s nerves. I like to pretend I’m a good person, but I doubt I am.

I hate to post more than once per day, but it is what it is. I still have more to post and more to talk about.

Drawing can be rewarding but it’s also something I hide from at times. Sometimes I hide from putting characters out here. I mean, they are as they are.

Anyway, it was nice talking to you. Happy End of February. See you. Make sure to get good rest and stay hydrated and healthy.

Categories
artwork original content stories?

Standing there

Standing there,
Standing right there,
Composure upright,
looking straight ahead.

No tears,
No anger,
Nothing but looking.

Your ears are not aroused, are they?
Your ears are not aroused.
Your eyes mean nothing to you,
You’re thinking.

No tears,
No anger,
Nothing but looking.

No thoughts of taste,
Clutching your chest.

Standing there.
Standing right there.
Composure upright,
Looking straight ahead.

Hey, y’all. I have been quite busy. Thank you so much for your patience. I just want to ramble about nothing for a while. Why? I just do. I hope it doesn’t annoy you.

Anyway, I cannot bring myself to write and draw out a huge story because of that fear. Not of failing. It’s the fear to start and not finish. I always have to plan for my own self because of my inability to follow through on things as well as burn out.

For these pictures, I was trying to design clothing designs but also just establish color designs for two very important characters. They are Noshili’s brother and sister. Reqina (/ɾe.qɪ.nə/) is the brother and Pitri (/pɪ.t̪ə.rɨ/) is the sister. Pitri is an equivalent of a queen in the state she lives in. Since she is a Revalan, she has the ability to be around very wealthy people at any given moment. She’s married to the equivalent of a king. In the state she’s from, her family has much of the power since they’re extremely wealthy and are everywhere in politics, religion, and entertainment. I mean, I based them of the Medici family, but you know…there’s tons of very powerful families everywhere that are very corrupt. She is just as corrupt as people in her family.

She loves her husband, but she was quick to marry him at sixteen because she hates her family. Since her mom was a bad drug addict and her father was arrested for beating his wife and kids as well as moving funds around from all the companies he was in, she was fostered and adopted by an Ane-Ne Najigi named Nole/Adane/Zhan that at the time, had a cultural marriage to her uncle. He was cool to her, but she couldn’t help being extremely embarrassed by his abnormal behaviors and strange appearance that she rejected him quite often. She regrets it at times, but she’s a stickler on her beliefs and refuses to change them for anyone, including family. She only has a good relationship with Reqina. She doesn’t consider Noshili/Tatmtar a real sibling since they have a different biological father (NOTE HERE: This is a character, this is not my belief. I like to make characters with different personalities, it, however, doesn’t mean I share any of their beliefs) and that they look very different (they all have similar features, Tatmtar just has darker skin and a bit different features) to her idea of family—as well, their existence ruined her mom’s marriage. She never bullies them or attacks them, she just calls them what she seems fit.

Her best traits are that she’s very close to her husband and is his crutch when he’s stressed and they both do similar roles in the family of helping and guiding their children.

They are the same age too—I hope mentioning her age doesn’t make y’all think she married an old man. She didn’t. He’s the same age as her. As well, in this culture, usually couples that get married that are sixteen years old (which is the age of consent there) have to be the same age and no younger and if they’re older, they have to be seventeen and maybe eighteen—if not, people will look at the relationship as foul and you will get slandered and harrassed or shunned.

The other picture with the red background is a drawing of a character within the Revalan family. Look…y’all…it’s hard capturing the vibe of the character. That’s his vibe. I think I will draw him again to how he actually appears when feigning stability or actually is stable. I was mostly working on facial features and drawings and being consistent with family member faces. All members that are related to Damijo biologically have very similar eyes to him and rarely deviate from that (of course, there’s exceptions). I didn’t capture that look very well, but I tried very hard. I literally forgot how I described him in my notes so if he looks drastically different next time you see him, then he looks drastically different. I like going off of what I describe characters as to keep it consistent. Usually when I like the design, the notes don’t matter. This design is a great start.

Anyway, nice seeing y’all. Thank you so much for following.

Categories
artwork Crafting paints

Art review: Jackson’s Art Pigments

You can find the pigments here. I am not an affiliate with Jackson’s nor do I have a sponsorship so I get nothing out of this at all.


I’m sorry it took a while to post this, but I wanted to test the pigments out for a while and then make a review. I don’t know how long this will be.

Heads up!

Most of my art is done in watercolors or water media that is thinned out to work like ink or watercolors, but I’m showing you colors I mixed with a watercolor binder (QOR, Schminke, or just honey). This isn’t an oil paint review nor is it an acrylic review.

Overall opinion:

I think the pigments are great, especially for their price. I am a beginner at paintmaking so I can’t tell you exactly how pigments are supposed to look or whether or not they’re good or bad.

They have some very unique colors to offer as well as generic store bought options. For example, they offer PR233 (Potter’s Pink), PG23 (Terre Verte/Green Earth), PBk19 (Slate Grey), PR259 (Ultramarine Pink).

However, be warned. These pigments seem to be fresh out the laboratory. They seem like precipitates with nothing in them.

Up to down: PR122, PG7, PB15:3

Phthalos and Quinacridones: Curse of the Flocculation

So, what you are seeing on those pictures is a mixture of brands. The paint section on the left is QOR, W&N Cotman series, and QOR, the right side is all Jackson’s pigments. These pigments surprised me. I thought I was getting a steal buying them. I really thought they were going to look one toned like the left paintings, but I was mistaken. There’s nothing inherently wrong with flocculation, in fact, it’s beautiful…however, if you’re trying to mix these pigments, they will separate in the mix.

I’m not against granulation at all, unless you’re using water, they’re like when you’re playing with sand at the beach and there’s water in it. I have genuine smalt and while they don’t have the big granule texture, they have the texture of always showing up no matter what. They ride in the water and look beautiful. I think if you’re not into color separation, you could use these for a background.

If anyone can tell me a way to mix and get the colors to mix as one or even just know the name, please leave a comment!

Benzymidazole Orange (PO36)

Benzy Orange is another one that flocculated. But I have a huge soft spot for red-orange types. You can imagine my face when I painted it on and saw it move like that. Fascinating! Literally a beautiful color (to me). I am reviewing and not giving much of an opinion, that will come shortly.

Benzy Orange moves with water. This picture is not dry so it’s easy to see it move.

I knew better with this one. PR101 (“synthetic “red oxide”) with PG23 (left, bottom) and NBr8 mixed with PB29 and PB35 mix (left, top)

This one (PR101) reminded me exactly of smalt texture, but this one had me upset! I might’ve not mulled it enough (I don’t have a muller. I use a palette knife, I don’t have mulling tools money) but dang it startled me. I actually don’t hate it. It’s just out there. I have to test my creativity with this one. It could be magnetic but I don’t have a strong magnet to test it on. It’s basically just huge iron granules and it’s so authentic that it also has that earthy red and brown undertone.🤤 Makes my paper look like I scattered dirt on it or it got moldy. Still like it though. It’s name is Transparent Oxide Brown.

Always write down what pigments are what or you’ll be like me and be unsure. I can confidently say that two PG23 are featured here, three PBr7 are here, PBk19, and mixtures are in here.
The honey was being wack, but I was trying to make a blue verditer and used the pigments listed on Daniel Smith’s page. It is PB29GS and PB35. I don’t know how I feel about it, but since I mixed it, I’m using it.
Here’s PO36 and PR101 Cadmium Red Light/Vermillion (left to right)

In general:

I think they’re fun and they’re great, but making paints is exhausting. I think these are worth the price and unless your selling and need a ton of pigment, they sell 10g, 25g, and 100g and a little goes a long way.

Categories
about me artwork original character original content

Fueling my excitement!

Hi!!!!

I’m so excited that school is starting back up again for me! I’ve made a palette and collected my ideas for my new projects. I will still take out my time to post on here.

Here’s my palette! It’s not a diverse or “useful” palette but its fun to paint with. I don’t like painting with things just because they’re useful and realistic. I like painting with stuff because it’s fun and interesting. Figuring out what is interesting and nice to me is what I prefer.

I also am still trying to figure out places to post a comic/sequential art without having to worry about it being digital only. I don’t know that many and I still have to figure out what is the best site.

I’m also really really excited for some new purchases and mixtures and hope they do well.

Sorry about my handwriting. Here’s Noshili and Atane meeting each other.

Anyway, I’m trying to find a convenient style for making comics. I get tired easily and when I plan stuff, I have to do it immediately or there’s a chance I won’t get to it after a while. So! I’m trying to simplify. The easier part is that it’s easy to make silhouettes and shapes with my characters, the difficult part is abstracting them and capturing their age.

A lot of my characters vaguely have very similar features and the things I’m taking away from them to abstract them are their defining features. For example, Noshili, and two characters Neloni and Nadoni. They have different lips but their eyes are exactly the same as they’re all related. They all have different postures and stances and different skin colors and hair but it would be very hard to capture that without seeing their whole face. I know it’s not gonna be that big of a deal, but I don’t want to get made fun of for same face syndrome!

As for other qualities, eh. I think they’ll be fine. I just have to work on gestures and showing emotions.

It’s not on watercolor paper but I am not a purist so I don’t care.

I’ve also been testing acrylics (not even appropriate ones—oops!) to try out with watercolors and they’re honestly the best. The thing is, they add a texture to the watercolors but when they’re thinned down and don’t have that nasty plastic flavor to it, they actually are able to have watercolors be painted on top. They aren’t resoluble though so while they can be lifted while wet, they’re not going to rewet and you can’t lift afterwards. It kinda solves my glazing problem to an extent. I want to do watercolor portraits that have vague qualities to old master paintings or have that energy but nothing is similar to it. These help a lot. I’ve also found a deep love for ultramarine. My heart and soul go to ultramarine (for now) and I love how it looks. If you know me, I used to hate royal blue and colors that look like it (not to anything that has to do with sports teams or anything, just hated it) but watercolors made me love it.

There are some colors that are perfect for being the main focus in paintings and that’s ultramarine blue and violet right now for some. As of now, I try to do focal points with colors that are important to each character. For example, Noje is a big fan of yellow so if I had her on a painting, that would be her focal point, but if I had Feyondo on there, his focal point would be blue.

The reason why I don’t elaborate sometimes on colors because they change and typically when it comes to some characters and their “soulmates” they always have complementary colors on the additive spectrum. However, with paints, that’s not additive and is more subtractive so these can change. I do not have an exact color for them, just a color family. It has something to do with their dreamstate/micosi /mɨ.kɔ.si/.

I am so excited to share more with y’all about more stuff!☺️ As well, my wattpad account is on my homepage. 🙂

Another study to see how much I can simplify. It was kinda difficult drawing these characters fast as possible but it wasn’t difficult to get their energy and movements as well as line qualities. The actual look is a little 😬. As well, this is Noshili and Atane again.
Categories
about me artwork rants

WordPress is getting on my nerves

I’m sorry if it seems like I’m replying late or accidentally ignored your comments. I literally cannot see some of them unless I look for them because they get buried deep in the comments thing and I don’t get a notification. 😞

It actually made me frustrated because I didn’t want this to be my New Years post, but it is what it is!

Here’s some swatches I’ve been working on. Ultramarine Blue (PB29) is such a basic color but it’s so meaningful to me. The granulation is always so breathtaking on it. It’s a shame that Phthalo green is mildly toxic and has copper because it’s so cute. PG7 and PG36 are so beautiful to me because of their vibrancy and saturation. The saturation always makes my heart melt but I agree with others…they’re TERRIBLE to mull and they’re like grape juice on a carpet when it comes to staining.

Okay, since this is random, I’m just going to ramble and gush.

So, recently I tried Rose Madder (NR9) and fell in love with it. I tend to make notebook art and sketchbook art so it doesn’t stress me out, but that is one beautiful color! I want to try Michael Harding’s watercolor version instead of Winsor and Newton, but I don’t have Michael Harding money so I’ll probably just try Etsy in the future. Alizarin Crimson PR83, isn’t the same to me though I like it.

I’ve also gotten into desaturated colors like PG23 (Green Earth) and PG17 (Chrome Green Oxide). My heart goes out to both of them because they can be very similar but PG23 is low tinting, weak, and transparent and PG17 is the opposite! I just really like looking at those colors. I don’t know how either could just sit in my palette, but they are and I will find a way to include them.

I really like PV15 (Ultramarine Violet) and PV16 (Manganese Violet) . Since I just started getting into diverse color shades, I have been trying to find different colors and those stuck out to me. They are some of my favorite colors because I love purple, and I love granulating colors and they are extreme granulating colors. PV62 from Schminke is granulating and Violet, but it’s more of a huge let down because it’s hard to rewet and kind of just doesn’t look good by itself. I hate to buy convenience colors, but in the future, I will ONLY use PV62 in convenience mixtures. I think that I’m going to be looking for something that looks similar to PV15 and PV16 that isn’t granulating. I think PR88 (Thioindigo Violet) is okay. (I want to show y’all the color, but I don’t understand how I got this paint because it’s extinct and nearly impossible to buy…I honestly am shocked but amused.) If anyone has any suggestions that aren’t PV19 or PR122, I’ll give it a listen.

Colors that I always will like no matter what are PR259, PR179 (Perylene Maroon🤤😮‍💨), and PR101 (Red Iron Oxide). PR259, or Ultramarine Pink is a pretty, desaturated pink color. Bright compared to other colors but earthy. PR259 is so similar to PR233 but is higher tinting and doesn’t look serious.

So, here’s a color wheel I painted when making a palette. Counterclockwise is PR259 (Ultramarine Pink), PR108 (Cadmium Red Light), PO67 (Pyrazoloquinazolone Orange), PY35 (Cadmium Yellow Deep), PY129 (Green Gold), PG26 (Cobalt Green Deep), PB32 (Smalt?), PV14 (cobalt violet) PV16 (Manganese Violet), PV15 (Ultramarine Violet), and PV29 (Perylene Violet).

I’ll see y’all later.

Categories
artwork conculture original character original content

Random critique

I’m sick so I can’t do much art without feeling like trash, so I’m going to critique my old art.

Sadorno on a movie playing a character

This picture is cute, but I think I jacked up a lot of the stuff I was going for. I learned a valuable lesson when it comes to watercolors.

One thing, plan OUT THE PICTURE. In fact, that’s the only thing. I didn’t plan this out. I was watching a video on YouTube and I really liked the singing and the passion and thought it fit mildly with the idea of this character. I mostly was looking at the qualities of payne’s gray or some kinda neutral tint from QOR.

QOR is definitely nice for areas on the background , but I remember it doing what it always does in the front. Due to the pigment mixing in there, some of the colors separated when I painted with them causing a cool gray on one side and a warm gray on the other. Pretty, I guess, but unnecessary maybe.

This is supposed to look old—like an old movie. She’s an older actress and by the time of the character events, she’s old and in her seventies. So, I was trying to make the picture blurry on the face to remove “imperfections” and make it look like it’s outside. However, since I didn’t plan it, it wasn’t obvious. You can’t see the character she’s singing to or what she’s doing. The composition of my painting is a bit boring.

Here’s what I was watching at the time. It was a very interesting experience, but I love the emotion.

The song I listened to, and my character’s song is completely different, even in sound. Though, I do like how the film’s music sounds, I’m not sure if I have the music ability to learn how to do that.

Here’s Sadorno’s song

Here’s some of my music. ☺️ This piece is not finished. It takes me a while to write music with my schedule and as well, it’s a process. 🙂

Categories
artwork conculture original character original content

I have nothing to post so story!

Solisi painted in quickly with ok paper and rushing (this isn’t recent!) you also can also see the pigment colors lol.
Those who know you wonder
if you hate them. If you
Hated yourself completely.
Where was your autonomy?
Born to look kissed by the sun,
Your skin looked soft. Delicate.
You were afraid, but you felt your
Family always had your back…

Yet, you turned away. Not out of hate. Not out of embarrassment.
You turned for passion and for
people to enjoy that passion.

They changed your shell which your soul remained and tried to change your insides—impossible.
You, sun baby, are strong even when you turned to the sun.
Now there’s two of you.
Two souls fighting to stay consciousness.
One, a sun baby—the other, the courageous sun.

You are not twins, nor opposites,
together as one.
One made by their creator—Nini and the other created by the servants of Bamy.
Be not confused, be not scared.
You live now in complexity.
As the complex, courageous sun baby.

I’ll post about this character when I draw the other ones. He’s a celebrity actor and not a main and some of the main characters enjoy the movies he’s in.

Categories
artwork Crafting paints original content

Pigments!

Hi, hi!

So, currently I’ve made three paints so far with the new pigments that I have.

PG7 (Maimeri with ox gall is on the top left, the Schminke gum Arabic is on the top right, and the bottom is QOR.)
Top: Maimeri honey-based medium, Schminke Gum Arabic, and Schminke ox gall. Bottom: QOR watercolor medium and QOR synthetic ox gall.

So, I didn’t expect PG7 or phthalo green to come out looking textured…but things surprise me everyday. I used two different mediums. I used the QOR watercolor medium and synthetic ox gall and I also used Maimeri honey-based medium and the Schminke Gum Arabic and ox gall. The difference mostly is in the gum arabics. QOR clumped all the particles together (flocculation) and Schminke held the particles together and didn’t clump.

However, I believe the QOR watercolor medium is easier—for me, this isn’t a recommendation—to paint with with water. But the Schminke Gum Arabic is nice for applying on wet patches. The ox galls were exactly as mentioned in the previous post.

As for the pigment…whew it was annoying. The ox gall varieties made it nice and wet..but the particles are very fine particles, which cause it to stain. The pigment was irritating to mull (because it would move and shoot) and even worse to clean up. I knew what I was getting into, however, it’s one of my favorite pigment colors due to its vibrancy! 😩

Brown color (PR101, PBr24, PY150, PO20) and PG50

Now, for the brown color, I was trying to make something like a Quinacridone Gold, just because. It didn’t work, but I had fun. The other is cobalt green! It’s pretty and it looks very low staining, but it’s still gorgeous. The brown color with Schminke Gum Arabic and synthetic ox gall and the green is both Qor.

Dried palette

Here’s how the colors came out on the palette. I believe I added too much gum Arabic or that the honey medium prevents the paint from cracking. Fortunately, it’s still useable.

Rewetted watercolor

The colors are absolutely beautiful when rewetted from the palette. I love them.