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artwork

Studies and experiments

Color atmospheres and environments and glazing with pencils. Mixed media.

For the most part, these are two different watercolor palettes with two different colored pencil palettes.

THINGS I FOUND OUT:

You’d think this would be common knowledge, but it isn’t. I guess we all have to learn by experiences. I love experiences.

So, the grittier the watercolor, the more likely it would color on gritty. Gum Arabic already dries on very, very tight and has texture when I touch it, but the granules on some are fascinating. I have a watercolor on here that I forgot what it’s called, but I think it’s by Prodigal Sons, one of my favorite handmade watercolor brands. It’s Han Blue (maybe?) and when I color on top with colored pencils, it feels like using sandpaper and I love it sooo much because I wasn’t expecting it.

As well, some other colors have that same scratchy feeling.

Some colors are fine, but still produce a texture so there’s a ring around them and a change of reflection and light that comes off of them. Absolutely stunning.

Now, colored pencils have a similar feel to transparent watercolors so they layer and show the white of the paper or show whatever’s underneath it. Prismacolor isn’t as transparent as Crayola (I used crayola on here) and Faber-Castell Polychromos. Faber-Castell has some opaque colors, but typically they are transparent.

Things I like:

The backwashes! Those look stunning. I avoided coloring over them. Everytime I get them on something like this, I get so happy because they never look the same…however, when on a design I don’t want them at, I get so sensitive and irritable. They’re accidental here because they’re swatches but are beautiful.

I like how different the color pencils look when backgrounds change.

What I don’t like:

The paper. This is a study and not a major art piece, but dang…I liked painting on it, but coloring ACTUALLY SUCKS. It’s no texture so it’s slippery and hard to go light and dark. Also, with experience with this paper, I know it cannot take thick layers of acrylic without screaming uncle and crying. It’s only going to take so much. This paper is not useful for everyone, but it can take light water mediums alright. I enjoy it.

I also just don’t like how I left a space of white for some but then got jacked because I didn’t really think of it that hard. I also wish I left less white around so I can do Josef Albers’ levels of comparison. His studies however were more scientific, mine are just done so I could practice and avoid drawing and coloring characters. 😓

Anyway, thank you for talking to me. Have a great day and make sure to stay healthy and hydrated.

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artwork Crafting paints

COLORS AND COLORS AND COLORS

Using a more vibrant and warm color palette to design Adis clothes

So, hello there! I got too nervous to draw backgrounds or redesign, so I did some color swatches and this bad boy. I designed some clothes.

And I’m going to post my palettes again so you can see how they look. 😀

I forgot to show all my little studies I did for color environment and I’m posting on my phone in a environment that doesn’t have my art around.

Anyway, I’ve been doing little sketches and paintings as well and have been struggling.

So, I was a bit productive…but eh…but not really.

Have a nice day and stay hydrated and healthy! Talk to you later.☺️

Categories
artwork original content stories?

Standing there

Standing there,
Standing right there,
Composure upright,
looking straight ahead.

No tears,
No anger,
Nothing but looking.

Your ears are not aroused, are they?
Your ears are not aroused.
Your eyes mean nothing to you,
You’re thinking.

No tears,
No anger,
Nothing but looking.

No thoughts of taste,
Clutching your chest.

Standing there.
Standing right there.
Composure upright,
Looking straight ahead.

Hey, y’all. I have been quite busy. Thank you so much for your patience. I just want to ramble about nothing for a while. Why? I just do. I hope it doesn’t annoy you.

Anyway, I cannot bring myself to write and draw out a huge story because of that fear. Not of failing. It’s the fear to start and not finish. I always have to plan for my own self because of my inability to follow through on things as well as burn out.

For these pictures, I was trying to design clothing designs but also just establish color designs for two very important characters. They are Noshili’s brother and sister. Reqina (/ɾe.qɪ.nə/) is the brother and Pitri (/pɪ.t̪ə.rɨ/) is the sister. Pitri is an equivalent of a queen in the state she lives in. Since she is a Revalan, she has the ability to be around very wealthy people at any given moment. She’s married to the equivalent of a king. In the state she’s from, her family has much of the power since they’re extremely wealthy and are everywhere in politics, religion, and entertainment. I mean, I based them of the Medici family, but you know…there’s tons of very powerful families everywhere that are very corrupt. She is just as corrupt as people in her family.

She loves her husband, but she was quick to marry him at sixteen because she hates her family. Since her mom was a bad drug addict and her father was arrested for beating his wife and kids as well as moving funds around from all the companies he was in, she was fostered and adopted by an Ane-Ne Najigi named Nole/Adane/Zhan that at the time, had a cultural marriage to her uncle. He was cool to her, but she couldn’t help being extremely embarrassed by his abnormal behaviors and strange appearance that she rejected him quite often. She regrets it at times, but she’s a stickler on her beliefs and refuses to change them for anyone, including family. She only has a good relationship with Reqina. She doesn’t consider Noshili/Tatmtar a real sibling since they have a different biological father (NOTE HERE: This is a character, this is not my belief. I like to make characters with different personalities, it, however, doesn’t mean I share any of their beliefs) and that they look very different (they all have similar features, Tatmtar just has darker skin and a bit different features) to her idea of family—as well, their existence ruined her mom’s marriage. She never bullies them or attacks them, she just calls them what she seems fit.

Her best traits are that she’s very close to her husband and is his crutch when he’s stressed and they both do similar roles in the family of helping and guiding their children.

They are the same age too—I hope mentioning her age doesn’t make y’all think she married an old man. She didn’t. He’s the same age as her. As well, in this culture, usually couples that get married that are sixteen years old (which is the age of consent there) have to be the same age and no younger and if they’re older, they have to be seventeen and maybe eighteen—if not, people will look at the relationship as foul and you will get slandered and harrassed or shunned.

The other picture with the red background is a drawing of a character within the Revalan family. Look…y’all…it’s hard capturing the vibe of the character. That’s his vibe. I think I will draw him again to how he actually appears when feigning stability or actually is stable. I was mostly working on facial features and drawings and being consistent with family member faces. All members that are related to Damijo biologically have very similar eyes to him and rarely deviate from that (of course, there’s exceptions). I didn’t capture that look very well, but I tried very hard. I literally forgot how I described him in my notes so if he looks drastically different next time you see him, then he looks drastically different. I like going off of what I describe characters as to keep it consistent. Usually when I like the design, the notes don’t matter. This design is a great start.

Anyway, nice seeing y’all. Thank you so much for following.

Categories
artwork Crafting paints

Art review: Jackson’s Art Pigments

You can find the pigments here. I am not an affiliate with Jackson’s nor do I have a sponsorship so I get nothing out of this at all.


I’m sorry it took a while to post this, but I wanted to test the pigments out for a while and then make a review. I don’t know how long this will be.

Heads up!

Most of my art is done in watercolors or water media that is thinned out to work like ink or watercolors, but I’m showing you colors I mixed with a watercolor binder (QOR, Schminke, or just honey). This isn’t an oil paint review nor is it an acrylic review.

Overall opinion:

I think the pigments are great, especially for their price. I am a beginner at paintmaking so I can’t tell you exactly how pigments are supposed to look or whether or not they’re good or bad.

They have some very unique colors to offer as well as generic store bought options. For example, they offer PR233 (Potter’s Pink), PG23 (Terre Verte/Green Earth), PBk19 (Slate Grey), PR259 (Ultramarine Pink).

However, be warned. These pigments seem to be fresh out the laboratory. They seem like precipitates with nothing in them.

Up to down: PR122, PG7, PB15:3

Phthalos and Quinacridones: Curse of the Flocculation

So, what you are seeing on those pictures is a mixture of brands. The paint section on the left is QOR, W&N Cotman series, and QOR, the right side is all Jackson’s pigments. These pigments surprised me. I thought I was getting a steal buying them. I really thought they were going to look one toned like the left paintings, but I was mistaken. There’s nothing inherently wrong with flocculation, in fact, it’s beautiful…however, if you’re trying to mix these pigments, they will separate in the mix.

I’m not against granulation at all, unless you’re using water, they’re like when you’re playing with sand at the beach and there’s water in it. I have genuine smalt and while they don’t have the big granule texture, they have the texture of always showing up no matter what. They ride in the water and look beautiful. I think if you’re not into color separation, you could use these for a background.

If anyone can tell me a way to mix and get the colors to mix as one or even just know the name, please leave a comment!

Benzymidazole Orange (PO36)

Benzy Orange is another one that flocculated. But I have a huge soft spot for red-orange types. You can imagine my face when I painted it on and saw it move like that. Fascinating! Literally a beautiful color (to me). I am reviewing and not giving much of an opinion, that will come shortly.

Benzy Orange moves with water. This picture is not dry so it’s easy to see it move.

I knew better with this one. PR101 (“synthetic “red oxide”) with PG23 (left, bottom) and NBr8 mixed with PB29 and PB35 mix (left, top)

This one (PR101) reminded me exactly of smalt texture, but this one had me upset! I might’ve not mulled it enough (I don’t have a muller. I use a palette knife, I don’t have mulling tools money) but dang it startled me. I actually don’t hate it. It’s just out there. I have to test my creativity with this one. It could be magnetic but I don’t have a strong magnet to test it on. It’s basically just huge iron granules and it’s so authentic that it also has that earthy red and brown undertone.🤤 Makes my paper look like I scattered dirt on it or it got moldy. Still like it though. It’s name is Transparent Oxide Brown.

Always write down what pigments are what or you’ll be like me and be unsure. I can confidently say that two PG23 are featured here, three PBr7 are here, PBk19, and mixtures are in here.
The honey was being wack, but I was trying to make a blue verditer and used the pigments listed on Daniel Smith’s page. It is PB29GS and PB35. I don’t know how I feel about it, but since I mixed it, I’m using it.
Here’s PO36 and PR101 Cadmium Red Light/Vermillion (left to right)

In general:

I think they’re fun and they’re great, but making paints is exhausting. I think these are worth the price and unless your selling and need a ton of pigment, they sell 10g, 25g, and 100g and a little goes a long way.