Using a more vibrant and warm color palette to design Adis clothes
So, hello there! I got too nervous to draw backgrounds or redesign, so I did some color swatches and this bad boy. I designed some clothes.
Here’s the palette I made a long time ago and showed on this blogThe new palette I made. (like made from scratch. It is pigment and honey and/or honey medium!)Here’s some more of those lovely swatches to show the variety.It’s the palette again 😉
And I’m going to post my palettes again so you can see how they look. 😀
Here are the two palettes. Not everything on these palettes are made by me, but all of them have been used. My palettes look like they’re art by themselves haha.
I forgot to show all my little studies I did for color environment and I’m posting on my phone in a environment that doesn’t have my art around.
Anyway, I’ve been doing little sketches and paintings as well and have been struggling.
I was drawing Zhan in some fancy Adis clothes but got stressed out with his face and how I drew him that I didn’t finish.Lupita drawn. I was drawing someone else but it looked like him so I changed it.😂This is just a painting study for an underpainting to know what colors look like in surroundingsFinished product I don’t have any blues on the last two. I used a paint from Daniel Smith named Kyanite Genuine. (It’s not that blue in the tube and actually looks like a sparkly blue-black or payne’s grey in the one I bought and allegedly it is kyanite rock…but I don’t know if it is or isn’t. It’s definitely not that granulating nor really does much. It’s just dull but I love sparky stuff though.)
So, I was a bit productive…but eh…but not really.
Have a nice day and stay hydrated and healthy! Talk to you later.☺️
Nilili. (She’s the mom of Neloni and is around 28-34 here after tragedy in a Jinhi costume)Neloni (around age 15-25 with his hair straightened and cut. He’s wearing darker colors here. Wearing light and pastel colors would be equivalent of wearing black in Western cultures of this world)Noshili. You know. Tatmtar. I struggle drawing their face. They have a very thin top lip and drawing the shape is difficult difficult. The eyes are also difficult because all of them have to have the same eyes as Nilili. Of course, if I drew these particular characters more realistically, their eyes would be a lot different. I don’t think I would because it creeps me out. Seeing them doing more than just 🙂 or 😕 creeps me out.
I know I said I was going to do interaction pictures but I got the dumb idea to color. I mean, coloring is not bad, but I’m not a fan of coloring. I’ve never been a fan of coloring. When I was younger, it used to embarrass me how everyone colored so neatly and I’d color with lines everywhere going everywhere in different directions. As you can see, I still have a lot of that haphazard lines in my work and clearly struggling with hair.
So anyways, just random tidbits about these characters and how I draw them: (I slip up a lot, but it’s a one-man show)
Nilili, Neloni, and Noshili always have a side part to the right of their hair and have bangs that are all similar.
Neloni and Noshili wear girly and/or feminine clothes. Neloni likes tight clothes and hates certain fabrics and will go into a complete meltdown and take hours to calm down after wearing it. He hates wearing makeup and during his career in acting, he’d wipe his face a lot having to redo shots. He also struggles with nail polish but wears dark blue nail polish (a color his husband likes.) Noshili wears clothes that are considered frumpy and baggy. They will not wear tight clothes because they get uncomfortable seeing their body. They wear any kind of makeup and likes to look facially pretty and will ask Noje to do their makeup.
When Noshili has straightened hair, it’s usually a flowing mane, top knot (at home), or a low bun (when out). They always will have a piece of hair that reverts back in the front of their bang.
When Noshili’s hair is curly, they always wear it slicked down with their bangs pulled back, bun, or braids. (Because they have very tangly hair.
Unlike their brother, their hair shape is an upright triangular like 🔺. They have long, black hair and should always be colored with a yellow or green skin color to contrast the hair. (I color their hair the same color as Noje’s skin. Dark purple.)
Neloni is a natural blond. (I didn’t show Nilili’s first husband and Neloni’s dad because I haven’t drawn him, but he carries those genes, but it isn’t a gene that would cause red hair or other types of blond, most light brown hair.)
Neloni is always drawn with an oval head.
Everyone that shares traits with Neloni and Nilili looks either very stank, sad, or very goofy and dazed.
Nilili has jet-black hair but I didn’t draw it that way because 🤷🏾 didn’t know how.
Nilili has an internal color of red and shares that color with Neloni because they were close when she was alive. Meanwhile, Noshili has an earth green color.
Nilili and Neloni have a gap in their two front teeth, Noshili doesn’t.
Neloni and Nilili tilt slightly while listening to people talk and cannot sit still and will move around, rock, and bounce a lot. Noshili jitters and shakes a lot but will sit quietly and probably will sit in the same spot for hours.
Nilili and Neloni yell extremely loud when they talk and when theyre speaking in Kwadi, they talk very slow and have a drawl, but speaking in Jinhi, they speak rapidly fast and sometimes people think they’re yelling.
They’re also both very ditzy and can be easily swindled and are nice to people, especially family. They got lost easily and are terrified of dogs.
All of them enjoy singing. Noshili was taught how to sing by Neloni. Neloni was taught by Nilili.
Neloni named Noshili after his older sister that was taken from him at six years old. Noshili looks up to Neloni but is skeptical of his personality and advice.
Noshili talks very quietly but if they’re irritated they talk extremely fast and use a lot of expletives and threats.
All of them are very tall and bottom heavy. (Neloni is probably 6’5, Nilili is 6’3, and Noshili is 6’2. I’m horrible at catching heights of characters so I struggle.)
Nilili made sure her second husband promised to take care of Neloni and his half brother Nstaid when she died.
Nilili died on Neloni’s birthday when he was twelve and his father, Neshali died the same day when Neloni was six. Neshali was shot dead in front of him by the military.
Neloni nor Noshili do not celebrate their birthday for different reasons and when asked will have different responses. Neloni will get nervous but say something to take off the mood or won’t leave his room and Noshili will start screaming and will try to fight then get in a crying fit and throw up.
Neloni screams at the same time every morning and runs somewhere and either dry heaves in the bathroom or hides and cries and stopped it when he turned 60.
Noshili is terrified of being alone and in the dark and will cry and latch onto people nearby. If Noshili is yelled at, they will sit either teary-eyed or cry. Neloni will yell back and try to fight. (He hates being yelled at.)
Nilili doesn’t cook very well, but her second husband enjoyed her cooking.
All of them are attached to their hair and if it gets damaged or cut off, they will mentally shut off or declare enemies with whomever cut their hair.
Neloni has been arrested and charged with kidnapping even though he didn’t do it. (😂)
Have a nice day, y’all. Sorry for the filler. I am a hot mess.
I’m starting this 100 faces challenge with my sister, but we took it down to a more realistic goal of 25. I have these moments of perfectionism but it never works out. It’s literally just drawing faces, and it’s not even that I’m that scared to draw faces. It’s the fact that I don’t have interest to draw serious and realistic faces but I feel like I should be doing that and because it’s what I’m supposed to do to be a real artist and serious about practicing.
I do not have the motivation and already put it off. I understand I have assignments too, but I’ve put those off. They’re supposed to be more realistic and painted well, but I just get depressed and discouraged because I know artists are supposed to leave their comfort zone…but it’s not a fun way of doing it.😂
So, I am trying to problem solve at this particular moment. I probably will just draw my ocs. 🤷🏾 (OC means original character) I don’t feel like stressing on it and they do not have depth to their faces nor need depth.
Anyway, I got some art for y’all! 😁😁😁 It always makes me so excited to share my art with people and it surprises me genuinely that people actually look at it, even if they don’t like it!
Vara. She is an adult actress and a model. She’s not necessarily a porn star, but she performs in very erotic movies and art house type of stuff. She’s a Najigi and had plastic surgery on her face and body to look more appropriate but she kept her skin color which I was too lazy to color in.This is (filler name for the character on the left) David and (actual name) for the character on the right) Tijana. David is the father of Tijana and an adoptive father of Damijo. [Since it’s supposed to mimic an area with multiple languages and cultures, each name has spelling rules or whatever but I didn’t make a script so you can’t tell, but Tijana may look like a girl’s name to you, but it’s not supposed to. Neither is Damijo. Just have to clear it up for people.]
Anyway, Vara is drawn in a way that I think is so cute but her face reminds me of someone who I cannot think about at the moment. Vara has visible scarification all over her body, much like Noje, to show her family line and also catch prey with the glow. She also has a straight wig on. Personally, I just liked reading about how women (celebrities usually) back around the 60s-70s wore big, bulky wigs. Vara doesn’t have that curly of hair, but the rules on the set say she’s only allowed to have her hair covered, so a wig is a work around because it doesn’t show her real scalp. I also really like Renaissance hairstyles so I made it bulky like a beehive but shaped like a renaissance lady (without the ridiculous amount of braids)
This isn’t the best picture and I’ll have to work on my anatomy and gesture but she’s dancing here in an outfit that shows her under boob but not anything else. She’s wearing leggings to protect the goods and a skirt to accentuate her hips and movements. She’s shaking her hips and doing some kinda gesture but most of her dance is footwork and hip shaking.
David and Tijana are both socialites from a plutocratic family group named Revalan. They’re both harmless, but definitely benefit off of their wealth. Their family members, however, are very corrupt and is some of the reasons why certain people are scared to be alive or so on. I hate to write too much about these characters on one post so I won’t. I love both of their designs and skin tones but I wish I drew and colored them better. Tijana is a darker color and isn’t well colored to see that. He’s around Damijo’s color who is a bit darker than that.
Solisi painted in quickly with ok paper and rushing (this isn’t recent!) you also can also see the pigment colors lol.
Those who know you wonder if you hate them. If you Hated yourself completely. Where was your autonomy? Born to look kissed by the sun, Your skin looked soft. Delicate. You were afraid, but you felt your Family always had your back…
Yet, you turned away. Not out of hate. Not out of embarrassment. You turned for passion and for people to enjoy that passion.
They changed your shell which your soul remained and tried to change your insides—impossible. You, sun baby, are strong even when you turned to the sun. Now there’s two of you. Two souls fighting to stay consciousness. One, a sun baby—the other, the courageous sun.
You are not twins, nor opposites, together as one. One made by their creator—Nini and the other created by the servants of Bamy. Be not confused, be not scared. You live now in complexity. As the complex, courageous sun baby.
I’ll post about this character when I draw the other ones. He’s a celebrity actor and not a main and some of the main characters enjoy the movies he’s in.
I’m going to practice making a sequential format. It’s currently been a struggle only due to the fear, but I need to let go.
So, I have this idea coming up for class and I’m scared of it because I am a perfectionist but I’m also very confident I can do it, I just need to start. I’ve been trying to get back into acrylic and try to learn how to really color with coloring pencils. As well, trying to do pen art and consistent watercolor.
Here’s my study
I’m mostly trying to figure out how coloring pencils lay down and layer on each other. It’s Crayola, Prismacolor, and Faber-Castell. I think Crayola is good for a thin base on the bottom, Faber-Castell is good for a base color and a medium layer. Prismacolor is good for a medium layer, top layer, and burnishing. Of course, color usage is very personal. What you see is what you get.
Ink study
Here’s the ink test. This is with a pen called “pigma graphic™ 3” by Sakura. It’s a very nice pen and I can see someone with a very dynamic style use these. I’m not very good at using pens yet. I want to try more pens soon.
I also bought more nibs for my calligraphy pen, I will show that later. 😊
Good evening!!! I have some sketches for y’all! I guess it correlates to Spooky Season because all the characters on here aren’t human! I dare say they’re probably closer to humanoid monsters.
Here’s some representation of Najigi skin, but it’s very unfinished.
Some characters are closer to human, but others aren’t. I tried putting family clusters together but I accidentally split characters up like Adelewe and Adexe. Oops. The clusters of families are Ane, Neheme(I believe), and the Nedeme family. One family to the right are associated with the Ane family, but they aren’t biologically related to them. It’s not all the characters.
This is a picture from a related side plot story (it’s unfinished and I forgot to paint his clothes, oops lol)
The picture above is of a character named Vivian (filler name). It’s a painting of a painting in this story. He’s a part of a AU side plot story where the original post apocalyptic plot happened but there was still leftover art. Vivian is an AI art program made by a female programmer placed into an male android by a male creator (don’t know what it’s called sorry). He is based off a venerated artist (that’s LOOSELY based on renaissance artists from this reality) and was made to mimic his art to teach a way to show process. Originally, he was just an arm looking robot thing, but the government received money and made him into a physical form and praiseable in person. Vivian was created then. He has interpretations and memories of the artist he’s based off of and has some of the programmers and designers features and personality quirks added to him.
One day, he receives some update that gives him a “soul” or a spirit—but it’s of course not a human spirit. That little brush of consciousness makes him unsatisfied with his art and ponders why he does it like that and why he feels controlled and why being alive hurts and feels terrible.
Side note
I can only write through my humanity and my idea of things—I’m not an AI nor do I know the experience of AI. You probably wonder why I’d have a character like this in the first place, but if people can write about other people, I can too.
On the other hand, an another artist, Hanzo /ɑ̃.ɮʊ/, is upset because he’s an obscure and irrelevant artist and gets mad at Vivian because he is basically so popular that his art is protected and is even angrier that he’s not a human so he tries to lose his humanity.
He goes with a friend to a dilapidated museum (not noted as a museum) to find bodies that are petrified by the apocalypse that happened some unnoted (my bad) time before the events. It ends up putting him on the top list for artists.
Anyway, he meets Vivian and clashes with him and invalidates his feelings. Vivian doesn’t really know what a human is but he doesn’t see himself as different but Hanzo sees him differently and it hurts his feelings because other people see him that way and kind of really hates being alive.
Since it takes a while to write and draw, mostly draw, I have not gotten up to the point where they become friends. This piece is a painting of Vivian in an environment done by Hanzo. Since this is not a real world and isn’t based on reality, some things just don’t make sense—but it’s actually supposed to be realistic to that environment because they’re just drawings and 2D characters and not based on real people. Doesn’t excuse me for messing up Vivian’s proportions. The only thing that I did on purpose was trying to make the piece look overworked, fussy, and lose life to it. As well, Vivian’s skin is yellow naturally as he’s supposed to look like an oil painting that came to life with the silliest looking blushed face that makes him read as non human. I would normally never draw a landscape like this, but I was more so trying to use only horizontal lines.
Thank you for reading this far. If you have any questions or just wanna hear more, leave a comment.